This coming weekend, Gordon’s departments of music and theatre arts will produce one of their biggest shows in recent history, “Pirates of Penzance.” The cast alone includes over 45 students—all of whom came back early from Christmas break to rehearse—but the story of its production, from creating costumes to building the set in the chapel, has particularly inspired the show’s (acting) director, JEFFREY S. MILLER, professor and chair of theatre arts. Here are his thoughts:
“Since about January 10, a substantial number of backstage crewmembers have been laboring many many hours a day (often 10 to 12) to produce the significant scenic elements and massive numbers of costumes that the show require. I wish people could have seen this shop in action. It was akin to a summer stock factory! Senior Amy Laing has been the student coordinating the costume crew and her help must number somewhere around 8 to 12. These are students who voluntarily came back to school to build costumes for the show – large numbers of them. The women in the show each have two costumes, a dress and night dress. Many of the pirates double as police. So the total is well over 100 costumes.
And that doesn’t even take into account the people, under the supervision of student Nathaniel Punches (and our department technical leader, Dawn Sarrouf), who have been building and painting the set, the scenic drop and creating/gathering props. All of this must be built, moved over to the chapel, installed (no one has seen a design in that space that comes close to what staff member and Gordon alumna Amber Primm has created – it will surprise!), coordinated, run and then dismantled by next Sunday at 7 PM. Nor does it account for the dinners that needed to be planned (with a goodly amount of food special needs), prepared and served before the food service opened on Jan 18. It has been a massive undertaking.
I know that I have never seen so many students work so hard for the love of learning and serving each other and their prospective audience in a creative artistic project, using their gifts joyfully and collaboratively, on our campus. It’s absolutely remarkable. And their example has moved me deeply. It builds my hope in for the future of the arts at Gordon.”









